Rrose Selections

ORIENTATION
OF THE PARASOLS

Picture A: half-moon of parasols, moving
like a caterpillar on a branch, arc of S.
shoes emerge from underneath
they are the chain which connects the pearls…
the necklace wraps around, gracefully,
but when the woman bends over the pearls come undone.

Picture B: parallel lines of color
on a beach in the South of Portugal.
Drinks are served. Glances are cast.
Eyes close with the image before them in mind.
Eyes close but the parasols, those parasols,
blooms of summer, narrowed to darts
thorns in a hand that pulls down the night,
are still on the beach when she asks,
knowing what she’s seen, “Can we go?”
to which he replies, having only watched her,
“My love, whatever you wish.”

ART

click to enlarge

Figure 1
Marcel Duchamp,
Female Fig Leaf, 1950

Figure 2
Marcel Duchamp, Given:
1. The Waterfall, 2. The Illuminating
Gas, 1946-66

Figure 3
Marcel Duchamp, Nude
Descending a Staircase, No. 2, 1912

Female fig leaf Reveals a landscape, reclined Leaves and twigs about her legs A lantern in the distance Water running softly, continually.
I peer through the peep hole. It is dark where I am and bright where she is, Hundreds of miles from home. I forget where I am from, taken in by the slit which is open and which is the only face that is exposed. Like the mouth of an adult who is towering, talking her clitoris is all I want to look at.Hot breath on my shoulder reminds, It is time for another’s turn.

1913
The blood of the city lights explodes onto a corner and covers a group of nine in uniforms they never imagined.Chatter ensues but the lady in stride crosses over[a line, infrathin]and is gone,leaving them exposed, barren in the corner of a city at night.On the building to one side,their shadows form spires but these men and one woman in front of the armory are bystanders only [in red]To them, the lady is naked. She is shame.She is the replaceable stair.

Figs. 1-3 ©2002 Succession Marcel Duchamp, ARS, N.Y./ADAGP, Paris. All rights reserved.