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El Límite Soñado: Arquitecturas De Vidrio No Construidas, Reflexiones Desde El Siglo XXI: Las Vanguardias Artísticas [Spanish]
Valores semánticos del vidrio. 1.1 Sobre Duchamp: La circularidad de la mirada. 1.2 El rden de la materia: A propósito de Robert Smithson. 1.3 La rtrofia del límite en Dan Graham. Valores semánticos del vidrio La aparición del vidrio en el panorama de la producción arquitectónica se sumó a la introducción en los procesos constructivos de
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El Límite Soñado: Arquitecturas De Vidrio No Construidas, Reflexiones Desde El Siglo XXI: Las Vanguardias Artísticas []
Valores semánticos del vidrio. 1.1 Sobre Duchamp: La circularidad de la mirada. 1.2 El rden de la materia: A propósito de Robert Smithson. 1.3 La rtrofia del límite en Dan Graham. Valores semánticos del vidrio La aparición del vidrio en el panorama de la producción arquitectónica se sumó a la introducción en los procesos constructivos de
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A Note on Linda Dalrymple Henderson’s “Duchamp in Context” (Niceron, Leonardo, Poincaré & Marcel Duchamp)
Click to enlarge Figure 1 Linda Dalrymple Henderson, Duchamp in Context: Science and Technology in the Large Glass and Related Works, (Princeton: Princeton University Press, 1998) Figure 2 Portrait of Jean Francois Niceron (1613-46), 1646 Figure 3 Marcel Duchamp, Cover for A l'infinitif [a.k.a. The Whit
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A Note on Linda Dalrymple Henderson's "Duchamp in Context" (Niceron, Leonardo, Poincaré & Marcel Duchamp) []
Click to enlarge Figure 1 Linda Dalrymple Henderson, Duchamp in Context: Science and Technology in the Large Glass and Related Works, (Princeton: Princeton University Press, 1998) Figure 2 Portrait of Jean Francois Niceron (1613-46), 1646 Figure 3 Marcel Duchamp, Cover for A l'infinitif [a.k.a. The Whit
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A Note on Duchamp/Saussure and the Mysterious Sign of Accordance
The Large Glass, on the evidence of Marcel Duchamp's own notes from The Green Box, is the result of an attempt at a kind of pataphysical proof.Duchamp is looking to demonstrate that it is possible to isolate what he calls in his notes--"the sign of accordance"(1)(quite specifically). This is ultimately Duchamp's aim and the test of whether his sci
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A Note on Duchamp/Saussure and the Mysterious Sign of Accordance []
The Large Glass, on the evidence of Marcel Duchamp's own notes from The Green Box, is the result of an attempt at a kind of pataphysical proof.Duchamp is looking to demonstrate that it is possible to isolate what he calls in his notes--"the sign of accordance"(1)(quite specifically). This is ultimately Duchamp's aim and the test of whether his sci
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Die Bedeutung des Ready-mades für die Kunst der Gegenwart [German]
click to enlarge Figure 1 Marcel Duchamp, In Advance of the Broken Arm, 1915(studio photograph by Man Ray) Figure 2 Marcel Duchamp, Fountain, 1917 (photograph: Alfred Stieglitz) Es sieht so aus, als enthielte das Œuvre Duchamps kein einziges Ready-made im buchstäblichen Sinne. Wie in den verschiedenen Artikeln dieses Ma
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Duchamp et Jarry ou l’inverse [French]
Vous ne trouvez ci-après que les lieus où ont été trouvées les citations.Il est à vous de construire les relations--clairement objectives - entre les citations, comme pour le jeu des sept familles. CITATION I 'Pourquoi chacun affirme-t-il que la forme d'une montre est ronde, ce qui est manifestement faux, puisqu'on lui voit de profil une fi
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Duchamp et Jarry ou l'inverse []
Vous ne trouvez ci-après que les lieus où ont été trouvées les citations.Il est à vous de construire les relations--clairement objectives - entre les citations, comme pour le jeu des sept familles. CITATION I 'Pourquoi chacun affirme-t-il que la forme d'une montre est ronde, ce qui est manifestement faux, puisqu'on lui voit de profil une fi
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Jarry = Duchamp
click to enlarge Figure 1. Anonymous Woodcut of Jesus' feet 1. Jarry "La Passion: Les Clous du Seigneur". 2. Duchamp "Sculpture-morte" click to enlarge Figure 2. Marcel Duchamp Torture-Morte 1959 Painted plaster and flies, on paper mounted on wood, 11 5/8 x 5 5/16 x2 3/16 inches (29.5 x 13.4 x10.3 cm) Illustration to Alfred Jarry's article
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Jarry = Duchamp []
click to enlarge Figure 1. Anonymous Woodcut of Jesus' feet 1. Jarry "La Passion: Les Clous du Seigneur". 2. Duchamp "Sculpture-morte" click to enlarge Figure 2. Marcel Duchamp Torture-Morte 1959 Painted plaster and flies, on paper mounted on wood, 11 5/8 x 5 5/16 x2 3/16 inches (29.5 x 13.4 x10.3 cm) Illustration to Alfred Jarry's article
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Between Gadget and Re-made: The Revolving History of the Bicycle Wheel [German]
Die Geschichte des Duchamp-schen Fahrrad-Rades ist häufig erzählt worden und hinlänglich bekannt. Ein Aspekt hat dabei jedoch oftmals zu wenig Berücksichtigung gefunden: die Benutzbarkeit dieser eigentümlichen Apparatur. click to enlarge Marcel Duchamp, Bicycle Wheel, 1913 © 2000 Succession Marcel Duchamp, ARS, N.Y./ADAGP, Paris Rhonda R
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Between Gadget and Re-made: The Revolving History of the Bicycle Wheel []
Die Geschichte des Duchamp-schen Fahrrad-Rades ist häufig erzählt worden und hinlänglich bekannt. Ein Aspekt hat dabei jedoch oftmals zu wenig Berücksichtigung gefunden: die Benutzbarkeit dieser eigentümlichen Apparatur. click to enlarge Marcel Duchamp, Bicycle Wheel, 1913 © 2000 Succession Marcel Duchamp, ARS, N.Y./ADAGP, Paris Rhonda R
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Duchamp at NASA
click to enlarge Our computer duchamp.arc.nasa.gov was the erstwhile host for our website. Well, it's not quite a Nude Descending a Staircase but it worked well for years and met the criterion of being named after well-known artists or contributors to the understanding of perspective images. Now it languishes in the backwaters behind our new f
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Duchamp at NASA []
click to enlarge Our computer duchamp.arc.nasa.gov was the erstwhile host for our website. Well, it's not quite a Nude Descending a Staircase but it worked well for years and met the criterion of being named after well-known artists or contributors to the understanding of perspective images. Now it languishes in the backwaters behind our new f
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Marcel Duchamp in 1962
Early in 1962 Marcel Duchamp visited the students at the Pennsylvania Academy of Fine Arts in Philadelphia. I had seen his works at the Philadelphia Museum of Art when I was 12 years old and taking classes there. Now Marcel come into each studio and viewed our works. I was doing a series of "Housewives" entangled with shower nozzles, toilets, irons
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Marcel Duchamp in 1962 []
Early in 1962 Marcel Duchamp visited the students at the Pennsylvania Academy of Fine Arts in Philadelphia. I had seen his works at the Philadelphia Museum of Art when I was 12 years old and taking classes there. Now Marcel come into each studio and viewed our works. I was doing a series of "Housewives" entangled with shower nozzles, toilets, irons
